…320; photograph by Adam Bannister] The Great Migration offers plenty of opportunity to play around with black and white conversions. [f 5.0, 1/500, ISO 800, +0.67; photograph by Adam Bannister]…
…[400mm f5 iso 160 1/500th sec +1/3] [400mm f2.8 iso 100 1/1800sec] The migration defied all the odds this year, arriving late, staying late with large crossings and herds still…
…a hint of the setting. [f 5.6, 1/500, ISO 80] By repositioning the car slightly, and moving lower down within the car, the scene changes completely. Suddenly we have moved…
Before flying became the norm in East Africa, intrepid safari goers travelled by car from Nairobi to Seronera in the Serengeti in Tanzania, did a U-turn and drove all the…
…in the Shamba. At 4pm, I set up the sprinklers again to water the remaining zones. I must communicate to the security team to turn the sprinklers off by 8pm….
…scenes that unfold. [f 4.5, 1/1250, ISO 200] [f 4.0, 1/30, ISO 6400, -0.33] Photograph by Steve Mitchell [f 5.6, 1/500, ISO 360] [f 5.0, 1/2500, ISO 200] [f 5.0,…
…flock of widowbirds, for example, make for fascinating subject matter. [f 5.6, 1/1250, ISO 400] And of course a crowd favourite – the grey-crowned crane. [f 5.6, 1/1250, ISO 320,…
…hours for the zebra to cross as they raced from one area to the next, coming closer to the water only to get spooked and turn back, eventually one lone…
…water. [f 4.5, 1/1000, ISO 500] It is impossible to capture the sounds of the splashes as the animals fall from great heights. [f 4.5, 1/1000, ISO 500] Zebras usually…
…400] [f 6.3, 1/1250, ISO 400] [f 6.3, 1/1600, ISO 400] Meanwhile, in the middle of all this commotion, the hippo were calmly play-fighting. [f 6.3, 1/500 ISO 250] Isolated,…