HOME Blog Crafting Kenya

Crafting Kenya

A research project documenting one of Kenya's unsung crafts became one woman's mission, as her passions — craft, heritage and opportunity— converged into a purpose
Above: A wood carver chisels out a traditional Swahili motif

It is September 2014. We are sitting at the Swahili Cultural Centre in Mombasa listening to our narrator who, in his characteristic Swahili lilt, is recounting the history of the world-famous Swahili doors. We are then treated to a demonstration of geometric 'Bajun' and flowery 'Bengal' wooden motifs that found a home here during the Indian Ocean trade. Over the next couple of days, we travel along the Kenyan coast documenting this ancient carving technique that has been perfected over generations. Our journey culminates on Lamu Island, a UNESCO World Heritage site whose ancient buildings boast some of the oldest Swahili doors on the East African coast.

A stunning example of the intricate carvings found in Lamu

In the subsequent weeks, we venture to other parts of Kenya with the steadfast goal of documenting the country’s heritage of craft techniques, materials, and the networks of artisans, the true custodians of these cultural traditions. By the end of this journey, we have created a database of Kenyan craftsmanship.

When people ask me about Crafting Kenya’s origins, I tell them that it began with a pain point.

Not just for doors, Swahili carving adorns sofas and chairs
Still made by hand, using traditional tools and methods

As a design student in Milan, Italy, I was completely fascinated by the Italian approach to design and production that is anchored in the country’s cultural heritage. I had often wondered how Kenya’s own wealth, in this case, our craft techniques and materials, could inform groundbreaking contemporary design. This curiosity — a borderline obsession — became my design school project. As I did my research, I was unable to find a comprehensive resource on Kenyan craftsmanship. How could a country such as Kenya, rich in this arena, not have documented this legacy that drives a sector said to be the country’s second or third-largest employer? Thus began the transition from a personal need to a larger duty to document this for posterity, through data and photography.

A method of creating ceramic jewelry dating back to the Indian Ocean trade

Eight years down line, Crafting Kenya has evolved, situating us at an intriguing intersection of craft, design, R&D, and material innovation. We are on a mission to work with the world's most creative brands, providing support for innovative product development and production that harnesses Kenya’s skills and resources — including the capacity of thousands of Kenya’s makers. To date, our work has seen us collaborate on projects with various partners from heritage European luxury houses to cultural institutions from the UAE.

Maasai beadwork is practically synonymous with Kenya

The highlight of 2022 has been crossing paths with Angama. Being tasked with redesigning Angama’s packaging, we are working with local materials and makers to bring this project to fruition. During our collaboration with Angama, we have found a refreshing alignment in supporting local creative enterprise, creating economic opportunity for Kenyans, a commitment to convey an honest sense of place and people, and a proactive investment in cultural preservation. Undoubtedly, creating the future doesn’t mean neglecting the past, but protecting it even more.

(All images courtesy of Crafting Kenya)

Filed under: East Africa Travel

Tagged with:

Arts and Crafts , Culture , Swahili Coast

About: Wanja Laiboni

Born and raised in Nairobi, Wanja started her career managing non-profit projects all over the world before returning to fashion school in Milan to marry her passions. Her two enterprises — Crafting Kenya and SIWAA — leverage Kenya's talented craftspeople to create opportunities on a global stage. Wanja consults on Angama's retail offering, from developing a Kenyan-made product assortment to the overall shop experience.

Browse all articles by Wanja Laiboni Meet the angama team

Keep Reading

Art in the Wild 26 April 2024 Repeat Angama guest-turned-friend, Pat Davidson shares her passion for art with the Angama team By Guest Author
How to Bathe a Scorpion 23 September 2022 Travelling to Africa brings a natural curiosity of its indigenous peoples. But how do you marry a sincere interest with authentic interactions that don't border on exploitation? By Ryan Brown
Do You Know Vipingo? 10 February 2023 With a passion for the ocean, Sammy heads for the coast, as he often does, to do a little exploring in a lesser-known location By Sammy Njoroge
This Week at Angama #315 23 February 2024 There were many discoveries this week: a cub climbing a tree, a coalition of cheetah in Amboseli and most notably — a leopard with a croc kill in a tree By The Photographic Studios
Join the Conversation (0 comments)

Comments (0):

Leave a Comment:

Your email address will not be published. Required fields are marked*